Originally published on Blue Ant, August 31, 2015.
Victorian English literature is filled with angst about what chaos lies behind proper and unassuming exteriors. In Conrad’s Heart of Darkness, Marlow says Brussels always reminds him of a “whited sepulchre,” a biblical reference to hypocrisy by which things “appear beautiful outward, but are within full of dead men’s bones, and of all uncleanness.”
William Gibson’s London puts a psychedelic twist on this notion, with all manner of sinister weirdness lying in wait behind plain facades. This is most true in Cabinet, the hotel and private club that serves as home base for our heroes in Zero History.
Cabinet is “(h)alf the vertical mass of an eighteenth-century townhouse, one whose facade reminded her of the face of someone starting to fall asleep on the subway,” with the interior decor “ragingly, batshit insane.”
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