Originally published on Curbed National, April 18, 2014. |
The Boott Mills complex stretches along the Merrimack River like a fortress, a 179-year-old set of connected brick buildings that once housed roaring hydroelectric textile factories in the heart of Lowell, Mass. It's a remarkably intact representation of the mills that launched Lowell and other towns like it to prominence during the Industrial Revolution, and then left them in economic decline in the second half of the 20th century. But Lowell's factories—most recently, the iconic Boott Mills near downtown—are making a comeback.
Read MoreOriginally published at Futures Exchange. There are few things more satisfying than watching new technology and creative people conquer entrenched industries. Whether it’s Etsy, Zipcar, Airbnb, Napster, you name it. There is something deeply appealing about seeing an underdog make a clever website and knock down a power structure. It can be such a beautiful thing.
Which is why it gives me, and should give other bleeding hearts like me, great dread to see a suite of such disruptive business models, commonly referred to as the Sharing Economy, leading us toward a cyber-libertarian dystopia.
Read MoreOriginally published on Futures Exchange. | Imaginative minds are exploring some strange and audacious solutions to our worst environmental problems. They are not, however, for the faint of heart, particularly if you have a strong attachment to the human body as it currently exists.
Biologists have already been toying with the idea of engineering endangered species to make them more resilient, or even resurrecting certain extinct species. But there’s a set of artists and scholars taking the concept of green bioengineering much further, imagining new species of synthetic, beneficial creatures and even biologically modified humans that leave a lighter footprint on the planet.
Read MoreWhen I look back at my 2012 list, and how great that year in music was, it’s probably not surprising that 2013 seemed to be a year of disappointments. That’s not to say it was a year of bad music. But while making this list, I found myself remembering music I really liked and looking it up only to find out it was from 2012. Or even worse, scrolling down a list of music releases and coming across records I completely forgot about. That phenomenon is the main reason I say it was a year of disappointments, because those records I had completely forgotten about, in many cases, were from artists that I really like, if not love. Kanye, Fuck Buttons, Daft Punk, Nick Cave, Boards of Canada, Mount Kimbie, James Blake, My Bloody Valentine for god’s sake, and on and on. They weren’t bad records, exactly. I just sort of forgot about them. They never dug in. (Okay, some of them were bad records)
The upside is that, all those records were bumped out of my listening attention by a lot of totally out of the blue stuff, which may say something about my tastes shuffling about, or about the ongoing splintering of musical genre and variety. In any event, only 4 of my the 15 favorite records of 2013 were by musicians I had ever listened to before this year. That’s pretty cool. And before I completely write off my standby favorite artists, there were a few that delivered well beyond my wildest hopes.
Read MoreFor all of technology’s efforts to improve upon nature, sometimes the most challenging feat is simply matching it, or even coming close. Take, for example, the endlessly versatile muscle, or the light and load-bearing bone. Imitating the latter poses a unique problem for surgeons repairing damaged, aging or diseased bones in humans, leaving us with metal or ceramic replacement parts that are imperfect or intolerable to a patient’s system, often needing to be replaced with painful and debilitating surgery. A solution to that mismatch may be on the horizon, as researchers in Italy have turned right back to nature, albeit a different kingdom, to find what may sound like an archaic bone replacement—wood. Rattan, to be specific, a flexible palm wood used in furniture and baskets.
In William Gibson’s Zero History, a novel laced with technology just barely within reach, one unlucky daredevil is the beneficiary of such a rattan bone replacement after a base-jumping stunt gone awry.
Read More| Essay originally published on Futures Exchange, via Medium, on October 22, 2013.
Bill McKibben was firing up a rally of climate activists in Cambridge, Mass., this past summer in preparation for a protest and mass arrest at one of the state’s coal-fired power plants:
“The message we need to keep sending all the time is, there is nothing radical about what we’re asking,” he said. “All we’re asking for is a world that works the way the one we were born into worked. That’s not radical. That’s actually kind of conservative.”
This is a shrewd point, and just one part of a pretty powerful overall talk, but as an environmentalist, I found the sentiment troubling. If the green movement’s rallying cry is to keep the world the way it was when we were born, isn’t it fairly doomed? Sounds like a stodgy, if not pointless cause. I would argue that, for environmentalism to stay vital in decades to come, it’s going to have to stop being so resistant to change, and dive into a far more imaginative conversation of what our future might hold.
Read MoreProfile of Boston Palestine Film Festival artist Omar Robert Hamilton, originally published on Open Media Boston, October 24, 2013.Image courtesy BPFF, from Hamilton's film "Though I Know the River is Dry."
by Tate Williams (Staff)
Omar Robert Hamilton’s entry in the Boston Palestine Film Festival is his third fiction short, but he’s made several other films, dozens, in fact.
They’re mostly brief documentaries he filmed and publicized as co-founder of the Egyptian film collective Mosireen, which played a major role in documenting the 2011 revolution and aftermath. Mosireen became the most-watched nonprofit YouTube channel in Egypt, and even worldwide during one month.
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